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Basil Henriques
Lokahi
United Kingdom
225 Posts |
 Posted - 07/19/2013 : 11:47:12 PM
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Fran, I omitted a word from my statement please re read what I said re: the copyrighted VERSION..
Whilst titles may not be copyrighted per se, the wrong spelling of a title on a return or performance related submission, would see the royalties going either into the "Slush Fund" or to the wrong writers.
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Edited by - Basil Henriques on 08/22/2013 04:48:37 AM |
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mike mccrary
Aloha
USA
6 Posts |
Posted - 07/24/2013 : 03:53:39 AM
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I play rhythm guitar in standard tuning. We do it in F. See below for the chords.
How D’ya Do
KEY OF F
4 BEATS FOR EACH CHORD
Gm7 C7 Gm7 C7
F Am Dm F#dim
Gm7 C7 Gm7 C7
F Eb9 F
BRIDGE:
Cm F Cm F
Fm Bb7 (or 9) Fm Bb7 (or 9)
BACK TO TOP
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slipry1
Ha`aha`a
USA
1511 Posts |
Posted - 07/24/2013 : 6:51:44 PM
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| Jerry Byrd played it in A on his B11 neck. You can tell by his use of natural harmonics on the "outro". Gabby played it in C because he had a high G in his C6 tuning. You need that I-III-V (i.e., C-E-G or A C# E0 to play it. I play it in either key but prefer playing it on the B11 neck. |
keaka |
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Basil Henriques
Lokahi
United Kingdom
225 Posts |
Posted - 08/22/2013 : 04:47:33 AM
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quote:
Originally posted by slipry1
Bas - I try to play as closely as I can Jules' version. I agree about Jerry's version. He even changed the tuning so he could get a chord at the end.
Good that you appreciate the definitive Electric Steel Guitar version, in that case, just wander over to the Steel Guitar section and you'll fine the tab of Jules Keliikuihonua Ah See version `verbatum` 
..not easy mind you..It took me a few hours to figure out the tricky harmonics section, I can see why so many dodge that part..
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Basil Henriques
Lokahi
United Kingdom
225 Posts |
Posted - 08/22/2013 : 05:04:47 AM
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quote:
Originally posted by mike mccrary
I play rhythm guitar in standard tuning. We do it in F. See below for the chords.
How D’ya Do
KEY OF F
4 BEATS FOR EACH CHORD
Gm7 C7 Gm7 C7
F Am Dm F#dim
Gm7 C7 Gm7 C7
F Eb9 F
BRIDGE:
Cm F Cm F
Fm Bb7 (or 9) Fm Bb7 (or 9)
BACK TO TOP
OK Mike, firstly PLEASE do not think that this is a personal attack, it's just my opinion and an attempt to get discussion on the matter.
You use Fm - Bb7 (or 9th) x2 in the last part of the middle section. I don't disagree with the usage, but pose the question... Why then is the F after the Cm in the first part of the middle section not also a 7th.?
In my book the Cm should be Cm7 and the F an F7, the reasoning is that the Cm7 is purporting to be an F11th with a Bb top note resolving to an F7th with an A top note..at least that's the melodic way. |
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Kapila Kane
Ha`aha`a
USA
1051 Posts |
Posted - 08/29/2013 : 2:31:48 PM
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Not sure I can do this justice, but it is theory...
and theory is fun, sorta.
when a chord that is minor moves up a 4th (down a 5th), and moves to a Dominant 7th,
that is a preparation for the Dominant, even if temporary..., and also possibly a temporary circle of fifths in the progression, is happening.
So c minor could just as well be cm7, same dif, just an extension of 3rds.
and as to the 9th chords.
any dominant 7th can take on another 3rd in the "stack" of 3rds...1,3, 5, 7 , 9...yada yada.
but if the 11th in a dominant is a sharp 5, or is it flat 5?
well that's a horse of a different color.
but a minor 7th chord, when moving up a fifth, if it has an diatonic (unaltered) "11th" , well the 11th is usually is usually just a sus 4--COLOR.
I think.
therefore I am.
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Edited by - Kapila Kane on 08/29/2013 2:33:53 PM |
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slipry1
Ha`aha`a
USA
1511 Posts |
Posted - 08/30/2013 : 10:59:27 AM
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quote:
Originally posted by Basil Henriques
quote:
Originally posted by slipry1
Bas - I try to play as closely as I can Jules' version. I agree about Jerry's version. He even changed the tuning so he could get a chord at the end.
Good that you appreciate the definitive Electric Steel Guitar version, in that case, just wander over to the Steel Guitar section and you'll fine the tab of Jules Keliikuihonua Ah See version `verbatum`
..not easy mind you..It took me a few hours to figure out the tricky harmonics section, I can see why so many dodge that part..
Where is it that I wander to, Bas? Your website? |
keaka |
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Basil Henriques
Lokahi
United Kingdom
225 Posts |
Posted - 09/17/2013 : 1:23:22 PM
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quote:
Originally posted by slipry1Where is it that I wander to, Bas? Your website?
quote:
Originally posted by Basil Henriques
just wander over to the Steel Guitar section and you'll fine the tab of Jules Keliikuihonua Ah See version `verbatum`
..not easy mind you..It took me a few hours to figure out the tricky harmonics section, I can see why so many dodge that part..
The Steel Guitar Section I refer to would be HERE |
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mike mccrary
Aloha
USA
6 Posts |
Posted - 10/03/2013 : 4:30:54 PM
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Basil: You are correct. What I wrote and what I play are sometimes a little different. Thanks.quote:
Originally posted by Basil Henriques
quote:
Originally posted by mike mccrary
I play rhythm guitar in standard tuning. We do it in F. See below for the chords.
How D’ya Do
KEY OF F
4 BEATS FOR EACH CHORD
Gm7 C7 Gm7 C7
F Am Dm F#dim
Gm7 C7 Gm7 C7
F Eb9 F
BRIDGE:
Cm F Cm F
Fm Bb7 (or 9) Fm Bb7 (or 9)
BACK TO TOP
OK Mike, firstly PLEASE do not think that this is a personal attack, it's just my opinion and an attempt to get discussion on the matter.
You use Fm - Bb7 (or 9th) x2 in the last part of the middle section. I don't disagree with the usage, but pose the question... Why then is the F after the Cm in the first part of the middle section not also a 7th.?
In my book the Cm should be Cm7 and the F an F7, the reasoning is that the Cm7 is purporting to be an F11th with a Bb top note resolving to an F7th with an A top note..at least that's the melodic way.
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mike mccrary
Aloha
USA
6 Posts |
Posted - 10/03/2013 : 5:31:09 PM
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And, I actually play Cm7 and F7. I don't have much formal musical training, so I don't always get the names of chords correct (and since I play rhythm, I often substitute chords). However, you are quite right and I am attaching the chords with your corrections. Thanks, again. Originally posted by mike mccrary
Basil: You are correct. What I wrote and what I play are sometimes a little different. Thanks.quote:
Originally posted by Basil Henriques
quote:
Originally posted by mike mccrary
I play rhythm guitar in standard tuning. We do it in F. See below for the chords.
How D’ya Do
KEY OF F
4 BEATS FOR EACH CHORD
Gm7 C7 Gm7 C7
F Am Dm F#dim
Gm7 C7 Gm7 C7
F Eb9 F
BRIDGE:
Cm7 F7 Cm7 F7
Fm7 Bb7 (or 9) Fm7 Bb7 (or 9)
BACK TO TOP
OK Mike, firstly PLEASE do not think that this is a personal attack, it's just my opinion and an attempt to get discussion on the matter.
You use Fm - Bb7 (or 9th) x2 in the last part of the middle section. I don't disagree with the usage, but pose the question... Why then is the F after the Cm in the first part of the middle section not also a 7th.?
In my book the Cm should be Cm7 and the F an F7, the reasoning is that the Cm7 is purporting to be an F11th with a Bb top note resolving to an F7th with an A top note..at least that's the melodic way.
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mike |
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"How'd Ya Do"
