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pili
Aloha
USA
12 Posts |
 Posted - 01/23/2003 : 6:52:48 PM
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Aloha,
Pili Moreno will be teaching a full-day workshop on playing Hawaiian
rhythm guitar on March 1 in San Francisco, as part of the second annual
Hulalaule`a Polynesian culture workshop program.
For details on classes and instructors, see http://www.mahea.com/hulalaulea/index.html
Hawaiian Rhythm Guitar
Hawaiian music has absorbed the music of the many cultures and peoples
who have come to visit or stay. Although the songs of Hawai`i may
sometimes sound simple, even an experienced guitarist may wonder just
how to "fit in" with the distinctive island style that has grown from
all these influences. In this class, we will explore some of the ways
your rhythm guitar playing can become truly "Hawaiian Style"!
Strums - Hawai`i's history is in the rhythm! Hear the echoes of Hawaiian
ipu heke (gourd drum), Spanish flamenco guitar and Mainland jazz and
country that permeate Hawaiian rhythm guitar playing. Learn how to
choose the strumming pattern which works best for a song's mood and
tempo and how to match or complement common `ukulele strums (or take
advantage of the sonic space if you're playing alone).
Chords - Learn how different chord forms combine with the various strums
to beautifully complement the melodic style of Hawaiian songs.
Vamps - That distinctive chord pattern used between the verses of many
classic hulas. Learn how to find the pattern in any key, the most
effective chord forms to use and some variations on the standard pattern.
Transitions - Learn the "walking" patterns that you can use to connect
chords. These patterns add interest and a sense of movement and give the
feeling of a bass line to a chord progression.
The Capo - With creative use of the capo, you can always play in the key
which best suits the singer's voice, while staying with the "sweetest"
chord forms and avoiding awkward, dead sounding chords.
Modulations - Changing keys during a song or medley can add interest and
drama. Learn how to construct a transition (in any key) that will lead
the listener's ear to the new key.
Endings - You know it when you hear it, that swing-derived chordal slide
that says "this song is pau!" - now learn how to play it. Includes
variations, adapting the pattern to different keys, and some alternative
endings "just for a change".
Class Requirements
Acoustic guitar and ability to learn new chords and progressions, capo,
writing material for taking notes
Optional: guitar stand, tuner, Hawaiian CD's with "mystery chords" that
you would like to solve, if time permits.
Insrructor - Pili began playing `ukulele at the age of five. He now
sings and plays kï ho`alu (slack key guitar) and rhythm guitar at hula
festivals, lü`aus and other Hawaiian events around the Bay Area and
beyond. He has worked with some of Northern California's finest hula
hälau, and has been a featured solo performer at such events as the San
Francisco Aloha Festival.
Other classes include:
Hawaiian Hula
Beginning Hula - David Hiwahiwa Alfiche
Intermediate Hula - Linda Pi'ilani Daneck
Advanced Hula Wahine - Naomi Kalama
Advanced Hula Kane - To Be Announced
Hula for Gracious Ladies and Gentlemen - Clark Bolivar
Tahitian Ori
'Aparima and Ori Technique - Roiti Silva
'Ote'a and Ahuroa - Maeva Goo
Music
Leo Ki'eki'e (Hawaiian Falsetto Singing) - Saichi Kawahara
Hawaiian Rhythm Guitar - Pili Moreno
Oli and Basic Hula Rhythm and Beats of the Ipu Heke - Mahealani Uchiyama
Tahitian Drumming - Reggie Aranda
'Ukulele - Hiram Bell
Crafts
Ipu Heke Construction - Ken 'Iolaka Swan
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oaklandslacker
Aloha
China
47 Posts |
Posted - 01/23/2003 : 7:53:14 PM
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Wow, that looks like some great stuff!
One question: these are all at the same time, right? It's too bad if that's the case, there's a couple I'd be interested in! Thanks for the post,
Jeff |
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pili
Aloha
USA
12 Posts |
Posted - 01/24/2003 : 10:45:11 AM
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Aloha Jeff,
You are correct, all the classes are indeed at the same time, so you'll have to fiip a pog or something. The day runs from 9:00 a.m. - 6:00 pm, with a performance at the end so that each class can share what they learned.
Mahalo,
Pili |
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enr1co
Aloha
USA
40 Posts |
Posted - 01/30/2003 : 2:29:34 PM
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Aloha Pili,
Could you please comment on the proficiency level required
for the rhythmn guitar class?
Should one be already "intermediate" to advanced ( chord, fretboard knowledge, finger dexterity) or is this also for beginners?
Just curious- the guitar that Pili is holding in his bio photo looks
really nice! Would you know if it is a Goodall Jumbo?
Mahalo,
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Edited by - enr1co on 01/30/2003 2:54:05 PM |
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pili
Aloha
USA
12 Posts |
Posted - 01/31/2003 : 11:19:26 AM
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Aloha Enrico,
Yes, that's a Goodall koa jumbo... a lot of guitar... if Kaläkaua were alive, I think I'd give it to him, it's about his level of scale and grandeur. (Those claiming to be his reincarnation need not apply!)
As for the proficiency level, I'm hoping to tailor the class to the level of the students as much as possible. Although not intended for absolute beginners, if somebody can (at least) play the basic chords in the keys of C and G, I think they'll find the class worthwhile. Even if they don't master the new skills in one day, at least they'll go away with something that they can work on. On the other hand, the more you already can do, the more you can pick up in the class. The main thing I hope people will gain is in the realm of "feel" anyway. If you email me with your phone number, I'll be glad to talk with you about your particular situation.
... and the class isn't carved in pähoehoe, either, so I'm happy to hear from anybody with an opinion about what you'd like to see happen.
a hui hou,
Pili |
Edited by - pili on 01/31/2003 11:20:32 AM |
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enr1co
Aloha
USA
40 Posts |
Posted - 01/31/2003 : 1:34:12 PM
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Hi Pili,
Sorry for referring to you in the "third person"
but was not sure if you were the one in the same "Pili" 
Thank you for the prompt reply. I would consider myself
intermediate with the mechanics of playing so likely no
problem with the chords or adapting to strum or pick patterns but rather novice when it comes to structure and theory on various
playing styles. This is what I would hope to gain from the
class.
I hope to be able to confirm attendance by the early registration
date.
Wow, thats plenty koa on your jumbo! The bridge shape on your guitar looked familiar and caught my eye. Even in the black and white
photo it looks very nice!
I just took the plunge for an all Goodall Koa but in the smaller Grand concert size. Went through a few all koa guitars from other builders before finding that the prettiest figure and curl doesnt necessarily correlate to the sound and tone. James is truly a master on how to select koa ( and other woods) and tune the soundboard to optimize wood tone and create an overall beautiful guitar. Can you tell that Im a fan of his guitars |
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